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| 10" x 14" arches CP |
Showing posts with label Watercolor Exercises. Show all posts
Showing posts with label Watercolor Exercises. Show all posts
Friday, July 10, 2015
Wetcanvas Monthly Challenge - July 2015
For the first time I was I able to this on the second week of the month. Usually I'm able to start at the last week or two days before the end of the month due to busy schedule.
Monday, July 6, 2015
WetCanvas Monthly Challenge - June 2015
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| 10" x 14" Arches CP |
Tuesday, May 19, 2015
WetCanvas Monthly Challenge May 2015
It has been a while since my last post. I'm aware that the gap between post has been getting longer and I must do something about it. I'm totally swamped between job applications and freelance work. I hope a day will come when I will become a full time painter.
For this months challenge I've experimented with Canson Montval 200 gsm paper. A lot lighter and little less tooth from what I'm used to using,but way more cheaper. It is really very limiting, since initial layers tend to lift up with the succeeding layers.
I've also limited myself to four colors (Dioxazine Purple, Thalo Blue GS, Quinacridone Gold and cobalt teal blue). The Thalo Blue replaces the ultramarine blue that I'm used to using.
I'm really not happy with the result but I will try to use up the remaining stock that I have and hopefully tame this paper.
For this months challenge I've experimented with Canson Montval 200 gsm paper. A lot lighter and little less tooth from what I'm used to using,but way more cheaper. It is really very limiting, since initial layers tend to lift up with the succeeding layers.
I've also limited myself to four colors (Dioxazine Purple, Thalo Blue GS, Quinacridone Gold and cobalt teal blue). The Thalo Blue replaces the ultramarine blue that I'm used to using.
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| 10.5" x 7" Canson Monval 200gsm |
I'm really not happy with the result but I will try to use up the remaining stock that I have and hopefully tame this paper.
Thursday, April 23, 2015
Tug boat in watercolor
Monday, March 16, 2015
Trucks in Watercolor
Saturday, March 14, 2015
Wetcanvas Monthly Challenge - Lord Leverhulme Monument
I am a bit late with this challenge for February 2015 since I've been busy for the past few weeks. I'm glad there is really no deadline though if I can help it, I want to be up to date
Quite a challenge indeed! I had a hard time blending the light parts with the shadow parts being careful with the shape of the folds.
The thread for this challenge can be found here.
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| 15" x 11" watercolor on Arches CP |
The thread for this challenge can be found here.
Monday, February 2, 2015
Learning to Control Watercolor (Part II)
This post is long due. I have started this experiment right after the first part of this post, but I've become to busy painting that made me wonder if this is still relevant when someone can gain this knowledge through practice and observation. Just the same, I hope somebody might find it useful.
One of the watercolor concepts that has always eluded my understanding is the "wet on wet technique" The are many tutorials online and most of them simply describes it as an application of wet paint on still wet paint on paper or sometimes an application of wet paint on paper pre-wetted with water. I've also read about avoiding applying wet paint on damp paper since it will produce unwanted effects. Some text even mentioned to watch out for the shininess of the paper. The question still remains with me: how much wetness should the paper have? What should be the water to paint ratio in the brush? Is there any scale to measure paper wetness? With these questions I've set out to do an experiment in order to find out what I could measure, in order to at least, get consistent results we want when painting.
This experiment is to determine amount of dispersion the watercolor solution will do on wet paper. My initial thought on this is if I could "measure" the drying time of the paper then I would know when to apply the paint. I was wrong.
My first test shows that even on the same area size, the time it took to lose the shininess (indication that there is water on the paper surface) varies from 1 minute to as much as 10 minutes.
One of the watercolor concepts that has always eluded my understanding is the "wet on wet technique" The are many tutorials online and most of them simply describes it as an application of wet paint on still wet paint on paper or sometimes an application of wet paint on paper pre-wetted with water. I've also read about avoiding applying wet paint on damp paper since it will produce unwanted effects. Some text even mentioned to watch out for the shininess of the paper. The question still remains with me: how much wetness should the paper have? What should be the water to paint ratio in the brush? Is there any scale to measure paper wetness? With these questions I've set out to do an experiment in order to find out what I could measure, in order to at least, get consistent results we want when painting.
This experiment is to determine amount of dispersion the watercolor solution will do on wet paper. My initial thought on this is if I could "measure" the drying time of the paper then I would know when to apply the paint. I was wrong.
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| A- 10mins, B - 1 min., C- 3 mins. |
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| Trying to read the paper wetness in stages I can identify |
Thursday, November 20, 2014
Five Ways to Sustain the Sketching Habit
Make it easy for you to sketch
Always have all the sketching tools within easy reach. For some people, it is a challenge to pick up and set up the tools from whatever storage it is kept in. By the time you have taken them out, you might have just lost the energy. If it within easy reach, it is just easy to sketch or paint on a whim much as like picking up your mobile phone.
Make a portable sketching kit and carry it everywhere
"An artist is a sketchbook with a person attached to it." I'll never forget this line I have picked up from an article in Artist's Magazine a few years ago. It took me a while though to practice it. Once I have assembled my sketching kit, it is always with me wherever I go. Now I have different configurations for my sketching kit from just pencil and sketchbook combo to a full watercolor sketch kit with an easel to match.
Join a local community such as Urban sketchers or online like Wetcanvas
I have often heard remarks like "I'm not that good, its embarrassing" whenever encourage them to join Urban Sketchers, or make a post of their works. As always, I would give them a reply "It is fine, it's not a competition, it is a community of friendly people willing to help each other. Everybody has to start from somewhere so no one is judging anybody."
Participating with a community gives you a sense of commitment to nurture your skill as well as give feedback to others. Regularly posting your work may give you feedback on areas you need to improve. Just remember to keep an open mind.
Find a friend with the same interest and sketch together
If it really feels inconvenient to join a community why not sketch with a friend? Sometimes what we need is a little nudge to make our first step. Sketching with a friend could help sustain those steps.
Create a blog
Blogging would be a nice way to document your progress. You might think it is time consuming but it's not. If you have a Google account, it is as simple as signing up with blogger.com and choosing a template. You can even choose to make your blog private until you are ready to show your work.
Looking back, these are the things I did to be on track. Just pick one and keep adding to the list.
Happy sketching!
Monday, November 3, 2014
Learning to Control Watercolor
I'm trying to do understand the relationship between the amount of water on the paper, on the brush, the amount of paint and the different stages of dryness of the paper. Its easy to understand in theory, but in actual practice, there's a lot of things going on. I find it overwhelming.
This leads me to another basic idea that I must be familiar with the behavior of the paints I'm using and how they react to paper. Is the paint transparent, staining, or granulating? How strong is the chroma? Does the color have a warm or cool bias? With these thoughts, I think I understand why we have to make color charts and why they are important.
For those who are beginning to paint that doesn't have an idea of what to paint, or doesn't have have the confidence and is intimidated by a blank page or paper, try making color charts for an exercise. It will give you a head start. Did I say it's fun ?
There is a follow up post on this here
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| Painted using 4 colors : Madder lake, Cad Red, Cad Yellow D, Cad Yellow Lemon on Arches 7' x 10' CP |
This leads me to another basic idea that I must be familiar with the behavior of the paints I'm using and how they react to paper. Is the paint transparent, staining, or granulating? How strong is the chroma? Does the color have a warm or cool bias? With these thoughts, I think I understand why we have to make color charts and why they are important.
For those who are beginning to paint that doesn't have an idea of what to paint, or doesn't have have the confidence and is intimidated by a blank page or paper, try making color charts for an exercise. It will give you a head start. Did I say it's fun ?
There is a follow up post on this here
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